Saturday, February 2, 2013

Four questions that will be answered by UFC 156

UFC 156 is the UFC's annual Super Bowl weekend card, and as usual, it's a big one. A former champion will drop down to try to win a belt in a new weight class, a Strikeforce champion will try to win a shot at the UFC heavyweight belt, and these questions will be answered.

What have the layoff and injuries done to Jose Aldo? By the time he walks into the cage on Saturday night, it will have been 385 days between Aldo's fights. He had several injuries and had bouts canceled twice. It's hard to say if we'll see the invincible Aldo who fought Chad Mendes last January.

How does the new weight class suit Frankie Edgar? Since starting as a lightweight, Edgar has had doubters because he was on the small side for 155 lbs. It worked for him, as he did win and defend the UFC lightweight championship. Now that he's lost it, he's trying again for the belt at 145 lbs. Will the new weight class fit him even better than lightweight did?

Did Alistair Overeem look past Antonio Silva? At the pre-fight press conference, Overeem called the bout with Silva a warm-up fight.

"Obviously I've not fought for 13 months, so it's going to be a good test for me," Overeem said. "I should not overlook 'Bigfoot' Silva, but if I look at my training and what I do to my sparring partners, I should not make 'Bigfoot' Silva more than he is. He should not be a problem, but that's why it's a warm-up fight."

That's dangerous ground to tread, as looking past the man who is about to punch you makes it lightly you'll get knocked out. Overeem should beat Silva, but the one way he can lose is to not take Silva seriously.

Can Jon Fitch use his wrestling to neutralize Demian Maia? You may not like to watch Fitch's matches. You may have used the words "lay and pray." But you cannot deny Fitch's ability to use his wrestling to hold off opponent's strengths. This time, he'll be using it against Maia, whose submissions and jiu-jitsu are tough to beat. This is Fitch's chance to show he can hold off even the best ground games.

What are you most looking forward to for UFC 156 -- or are you not looking forward to it at all? Speak up in the comments, Facebook or Twitter.

Source: http://sports.yahoo.com/blogs/mma-cagewriter/four-questions-answered-ufc-156-183941245--mma.html

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Friday, February 1, 2013

SUPER BOWL WATCH: Driver done, Birk not

San Francisco 49ers cornerback Chris Culliver answers questions Thursday, Jan. 31, 2013, in New Orleans, regarding anti-gay remarks he made during Super Bowl media day Tuesday. Culliver apologized for the comments he made to a comedian, saying "that's not what I feel in my heart." The 49ers are scheduled to play the Baltimore Ravens in the NFL Super Bowl XLVII football game on Feb. 3. (AP Photo/Mark Humphrey)

San Francisco 49ers cornerback Chris Culliver answers questions Thursday, Jan. 31, 2013, in New Orleans, regarding anti-gay remarks he made during Super Bowl media day Tuesday. Culliver apologized for the comments he made to a comedian, saying "that's not what I feel in my heart." The 49ers are scheduled to play the Baltimore Ravens in the NFL Super Bowl XLVII football game on Feb. 3. (AP Photo/Mark Humphrey)

San Francisco 49ers quarterback Colin Kaepernick (7) passes as tight end Delanie Walker (46) waits to run a route during practice on Wednesday, Jan. 30, 2013, in New Orleans. The 49ers are scheduled to play the Baltimore Ravens in the NFL Super Bowl XLVII football game on Feb. 3. (AP Photo/Mark Humphrey)

Baltimore Ravens running back Ray Rice, left, catches a pass as linebacker Ray Lewis walks past during an NFL Super Bowl XLVII football practice on Wednesday, Jan. 30, 2013, in New Orleans. The Ravens face the San Francisco 49ers in Super Bowl XLVII on Sunday, Feb. 3. (AP Photo/Patrick Semansky)

The Superdome is pictured Wednesday, Jan. 30, 2013, in New Orleans. The city will host the Super Bowl XLVII football game between the Baltimore Ravens and the San Francisco 49ers Sunday. (AP Photo/Charlie Riedel)

NEW ORLEANS (AP) ? Around Super Bowl XLVII and its host city with journalists from The Associated Press bringing the flavor and details of everything surrounding the game:

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QUICKQUOTE: DRIVER RETIRES

Packers wide receiver Donald Driver has announced his retirement, ending a 14-year career as Green Bay's all-time leader in yards receiving and catches. Only quarterback Brett Favre has played more games in a Packers uniform.

In a team statement, Driver says: "I played my entire career in Green Bay and have always enjoyed a special bond with the fans. ... I can think of no better way to retire than to celebrate with them and the Packers organization."

Driver was slightly less formal on Twitter: "It's been an amazing journey, thank you for all of your love and support! (hash)Packer4Life"

Driver's key career statistics: 743 receptions, 10,137 yards, 61 touchdowns. He had seven seasons with 1,000 or more receiving yards.

? Nancy Armour ? http://twitter.com/nrarmour

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DON'T YOU HAVE SOMETHING BETTER TO DO?

Ray Lewis is retiring to spend more time with his family. Matt Birk is still playing, in part, because of his.

The Baltimore Ravens center is 36, and he and his wife have six kids. When Birk contemplated retiring after last season, his family was supportive, knowing they'd have him around a lot more.

Then they saw what that would be like.

"In the offseason, I'll be home for a month or two and they'll be like, 'Isn't it time for you to go back to work?'" Birk said. "I like to try to get involved, and they have a rhythm at home. When we have the re-entry period in the offseason, where I'm home a lot more, there's always a few bumps."

? Nancy Armour ? http://twitter.com/nrarmour

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EXTRA MUSTARD?

San Francisco 49ers quarterback Colin Kaepernick set an NFL record for yards rushing by a QB in a playoff game, gaining 181 against Green Bay on Jan. 12.

But don't forget ? the kid can throw, too.

Actually, he really zips the ball, showing off a right shoulder honed in part by his days as a baseball pitcher who threw 90 mph and was drafted by the Chicago Cubs.

Maybe throws a football a little bit too hard on occasion.

"I talk to him about a little less mustard all the time. (There's) a lot of velocity on the ball," 49ers tight end Vernon Davis said. "Colin is always in the weight room. If you want to find Colin, go to the weight room."

? Howard Fendrich ? http://twitter.com/HowardFendrich

___

CULLIVER REVERSAL

San Francisco 49ers cornerback Chris Culliver is reversing course after saying he wouldn't welcome a gay teammate.

Culliver now says that's "not what's in my heart" and he was "just kidding around."

The cornerback apologized to the city of San Francisco for remarks he made earlier this week to comedian Artie Lange.

? Paul Newberry ? http://twitter.com/pnewberry1963

___

EDITOR'S NOTE ? "Super Bowl Watch" shows you the Super Bowl and the events surrounding the game through the eyes of Associated Press journalists across New Orleans and around the world. Follow them on Twitter where available with the handles listed after each item.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2013-01-31-US-Super-Bowl-Watch-Package/id-3294ce0d58ad46e0a73ee4661a9090d9

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The Ocean as Muse | BU Today | Boston University

Artist Julia von Metzsch's show Midnight at Coolidge Point is on view at the Sherman Gallery through March 3. Photos by Cydney Scott

It was perhaps inevitable that painter Julia von Metzsch would return again and again to the sea for inspiration. Growing up in scenic Manchester-by-the-Sea, on the North Shore of Massachusetts, she spent countless days at Singing Beach as well as at the North Sea in the Netherlands.

?Growing up on a cold coast leads to a lot of alone time and daydreaming on the beach,? says von Metzsch (CFA?07,?10), a College of Fine Arts School of Visual Arts lecturer. ?The North Shore is a good place to dream and create.?

But while the sea may be a powerful muse, it can be maddeningly hard to capture. ?The sea is impossible to get right,? she says. ?It?s always moving and changing with the clouds, the tides, the time of year, and the winds.?

Smoke and Rain Near Magnolia Beach painting by artist Julia von Metzsch, Midnight at Coolidge Point exhibit Sherman Gallery Boston University

Smoke and Rain Near Magnolia Beach

In her new one-person show, Julia von Metzsch: Midnight at Coolidge Point, now on view at the Sherman Gallery, the artist succeeds beautifully in capturing the sea and shore in all elements?heat, freezing wind, sudden rain. Viewers expecting tranquil seascapes are in for a surprise. In von Metzsch?s rendering, the ocean is a roiling, turbulent force, often with dark undertones. Drawing on both memory and imagination and working with a muted palette of gray, green, lavender, black, and brown, she emphasizes the play of light and wind.

Many of the works here are heavily textured?paint applied to suggest the ocean?s constant motion, its often explosive nature. In the sprawling Snow on Singing Beach, the lines, squiggles, and blotches convey the stinging sensation created by blowing snow. In Sail over Manchester Harbor, the white sail of a boat slices through a dark blue sea, creating a sense of urgency. One can almost feel the rapid movement of the boat and feel the spray. And in Starstruck, a starfish lies at the edge of the water, waves just inches from its body. Stare long enough at the canvas and you sense that at any second, the creature will be overtaken by the surf and carried out to sea. Everything here feels ephemeral.

?I don?t paint sunny scenes very often,? says von Metzsch. ?When it?s hot and tranquil, I?d rather be painting figures.? But, she adds, ?there?s always an exception, however. I love painting into the sun.?

School of Visual Arts exhibitions director Lynne Cooney (GRS?08,?15) describes von Metzsch?s work as lush, dark, and abstract. ?The paintings are not a literal response,? she says. ?They are visually intuitive and painterly responses to the ocean and coastline.?

View of Molly from the Driver's Seat by artist Julia von Metzsch, Midnight at Coolidge Point exhibit, Sherman Gallery Boston University

View of Molly from the Driver's Seat

All of the work in the show is autobiographical to one degree or another, von Metzsch says. View of Molly from the Driver?s Seat was inspired by a road trip to Maine with friends. ?We were driving on a logging route and we were lost,? she recalls. ?The light was on in the back seat of the car and it shone perfectly on my friend Molly?s hand, which was dangling out the window. I could see it in the side-view mirror, and it was beautifully cropped and placed into this environment of future Christmas trees and fireflies.?

Likewise, Smoke and Rain Near Magnolia Beach recalls an autumn evening spent at a local beach. ?The night was very dark and humid,? says von Metzsch. ?The humidity was swirling around the floor lamps and mixing with a friend?s cigarette. The scene was so beautiful and dark, I had an urge to make this humid night painting.?

Starstruck painting by artist Julia von Metzsch, Midnight at Coolidge Point exhibit Sherman Gallery Boston University

Starstruck

Other paintings are inspired indirectly by von Metzsch?s flights of fancy, by imagined situations ?that become so real?that they have a light quality, and I want to paint them.? In Drowned, an abstract oil on panel, she imagines her spirit rising after she?s drowned. ?Some of the most ridiculous ideas can lead to good painting,? she says. She painted Starstruck after her mother gave her a piece of costume jewelry?a starfish ring?last summer. ?When I got the ring, I automatically went to my dark place,? says von Metzsch. ?With all its glitz and its curvy shape, the ring reminded me of a corpse struck by lightning.? Hence, the lightning bolt that appears to be electrifying the starfish on the canvas.

The show?s title comes from the peninsula bordered by Magnolia Beach, Clark Pond, and Black Beach in Manchester-by-the-Sea, a place the artist describes as ?magical.?

?I have so many dark and beautiful associations with Coolidge Point: the rocky alcove, the springtime smell of death after a rough winter,? von Mentzsch says. ?I love the witching hour there, when the constellations are sinking beneath the ocean?s horizon and it?s 2 a.m. and we are still swimming.?

Julia von Metzsch: Midnight at Coolidge Point is on view through March 3 at the Sherman Gallery, George Sherman Union, 775 Commonwealth Ave., second floor. The gallery is open Tuesday to Friday, 11 a.m. to 5 p.m., and Saturday and Sunday, 1 to 5 p.m. The show is free and open to the public.

Source: http://www.bu.edu/today/2013/the-ocean-as-muse/

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Ed Koch, the mayor who kept NYC from going broke, dies at 88

Ed Koch, the brash, colorful and often confrontational mayor who helped to lead New York City out of its brush with bankruptcy in the 1970s, launching an astonishing municipal turnaround that continues to this day, has died. He was 88.

Koch was recently readmitted to the hospital after being treated for water in his lungs, The Associated Press reported. A spokesman confirmed the news of Koch's death early this morning.

In December, Koch recently battled pneumonia and was being treated with antibotics and in September, he was hospitalized and was treated for anemia.

Koch took office on Jan 1, 1978 with New York City all but broke. Thousands of cops, firemen, sanitation workers and teachers had been laid off. Bridges were crumbling, the subways were caked in grime and graffiti, and crime was taking off.

Koch helped to restore the city's credit with budget cuts, and he revived the city's spirits with his unflagging enthusiasm for all things New York ? and an unflinching willingness to stand up to opponents.

By the time he left office at the end of 1989, New York was far from problem- free, but Gotham's future no longer was in doubt. "He went at it with a sense of joy, a sense of combat, a sense that made us all know, "That's the voice of New York, that's what we are," the writer Pete Hamill once said.

That voice never held back. Koch was forever dispensing opinions -- and forever asking New Yorkers, "How 'm I doing?" He attacked opponents as "crazy," "wackos" or "radicals." To critics who said he had drifted too far from his liberal roots, Koch said he was "a liberal with sanity."

"Part of the thing that was most refreshing and most appalling about Koch is that he will stand for what he believes in," the Rev. Al Sharpton, who repeatedly jousted with Koch in the 1980s, said in 2005. "He will not say what you want him to. And he will not be intimidated either way."

Koch put it this way: "I'm the sort of person who will never get ulcers. Why? Because I say exactly what I think. I am the sort of person who might give other people ulcers."

When the New York Giants won the Super Bowl in January 1987, Koch refused to allow a ticker-tape parade for the champs because the Giants had left New York for New Jersey's Meadowlands more than a decade earlier.

"If they want a parade, let them parade in front of the oil drums in Moonachie," Koch said, referring to a community near the Meadowlands.

While such outspokenness endeared Koch to constituents, his sharp tongue contributed to his biggest political defeats.

In 1982, while running for governor, Koch gave an interview to Playboy magazine in which he called living in rural areas "a joke" and described suburban living as "wasting your life." To top it off, he called living in the state capital, Albany, "a fate worse than death."

The comments alienated suburban and upstate voters, and Koch lost the Democratic primary to a New York City lawyer named Mario Cuomo, who went on to serve three terms as governor. Koch later called his remarks "the dumbest" he ever made.

Six years later, during the fiercely contested New York Democratic primary for president, Koch said Jewish voters would be "crazy" to support the Rev. Jesse Jackson. The remark infuriated and energized African-American voters, propelling Jackson to a surprising second-place finish behind Michael Dukakis.

The following year, the city's black voters got their revenge, helping Manhattan Borough President David Dinkins beat Koch in the 1989 Democratic primary. Dinkins went on to defeat former U.S. Attorney Rudolph Giuliani to become the city's first black mayor.

Arguably, Koch became even more popular after leaving City Hall. He hosted a radio show, wrote books, reviewed movies and even dispensed justice for a while on television's "The People's Court," succeeding Judge Marvin Wapner.

For years he teamed up with his close friend, former U.S. Sen. Alfonse D'Amato (R-NY), offering opinions and political analysis on the New York cable news station, NY1.

Koch also remained a political force. His endorsements were crucial in helping to elect two Republicans -- Giuliani as mayor of New York, in 1993, and George Pataki, as governor of New York, in 1994. And his backing of then-First Lady Hillary Rodham Clinton, a Democrat, eased the concerns of some older Jewish voters, helping her win a U.S. Senate seat in New York in 2000.

Edward I. Koch was born in the Bronx on Dec. 12, 1924 and reared in Newark, N.J. He served in the Army in World War II, landing in Cherbourg, France in September 1944 and earning two Battle Stars as a combat infantryman.

A graduate of the City College of New York and the New York University School of Law, Koch was a practicing attorney when he entered politics.

"I had no goals at that time, other than to meet people. Make friends," Koch told New York's Paper magazine. "I'm an achiever. I'm a good organizer, and I became a street spokesman for the Village Independent Democrats club. I was out every night on a soapbox."

Inspired by the speeches of presidential candidate Adlai Stevenson, Koch aligned himself with insurgents who opposed Tammany Hall, the long-running but decaying New York Democratic machine. Koch defeated the last Tammany boss, Carmine DeSapio, in a race for Democratic district leader in Greenwich Village in 1963.

The victory propelled Koch to the City Council, and then to Congress, where he served for nine years before winning a four-way Democratic primary for mayor in 1977 by shrewdly tacking to the political center ? a shift that mirrored the political migration of white ethnic Democrats in the 1970s and '80s.

Koch cemented his popularity in 1980 when he acted as a kind of municipal cheerleader when a transit workers strike halted the subways and buses. Day after day, Koch stood on the Brooklyn Bridge, applauding New Yorkers walking to work.

"As I got on the bridge I began to yell, 'Walk over the bridge, walk over the bridge, we're not going to let these bastards bring us to our knees!' And people began to applaud. I knew I was onto something," he recalled in 2011.

During his administration, the go-go years on Wall Street in the 1980s led the city to new economic prosperity. He created a housing program which, over a ten year period, provided more than 150,000 units of affordable housing financed by city funds.

But Koch's brand of governing was not without dissenters. Koch had a troubled relationship with black voters. The relationship began its downward slide in 1978 with the death of a black businessman while he was in police custody. Other alleged cases of police brutality followed.

Racial unrest, his comments about Jesse Jackson, a municipal corruption scandal and soaring crime and homelessness doomed Koch's bid for an unprecedented fourth term.

Although Koch's endorsement helped Giuliani win 1993 mayoral race, the two had a falling out over what Koch saw as Giuliani's combative and authoritarian ways. Koch went on to write a book about it, Giuliani: Nasty Man.

Koch also wrote Citizen Koch; Ed Koch on Everything; I'm Not Done Yet: Remaining Relevant; and Eddie, Harold's Little Brother, a children's book which he co-authored with his sister, Pat Koch Thaler. He also teamed up with his good friend, John Cardinal O'Connor, who led the Archdiocese of New York, in writing, His Eminence and Hizzoner, which traced Koch's shift to more centrist and conservative positions.

Koch will spend eternity in his beloved Manhattan. He announced in 2008 that he had purchased a plot at the Trinity Church cemetery, after learning that the church permits Jews to be buried there. It is the only active cemetery left in Manhattan.

"I don't want to leave Manhattan, even when I'm gone. This is my home," Koch explained. "The thought of having to go to New Jersey was so distressing to me."

The Associated Press contributed to this report.

Source: http://news.yahoo.com/ed-koch--the-mayor-who-kept-nyc-from-going-broke--dies-at-88-130516500.html

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Splashtop's Configurable Shortcuts & Gamepad feature lets tablet users create virtual controls and more

Configurable Shortcuts and Gamepad app lets Splashtop 2 users create virtual controls, more

Whether it be its iOS, Android or Windows 8 users, Splashtop does a pretty good job at keeping them happy by introducing new things here and there, and the very latest may be no exception to that -- well, at least to some. Dubbed Configurable Shortcuts & Gamepad, the feature will allow Splashtop 2 subscribers -- that are using an iPad or Android slate -- to easily create anything from a virtual gamepad, mouse controls and even keyboard shortcuts on a tablet's screen, which, according to the company, should make for a "faster and more seamless remote access with their Macs and PCs" while gaming or, you know, actually being productive. What's more, similar to what it did when other new services were brought to the mix, Splashtop's set to charge current subs a little extra in order to use the Configurable Shortcuts & Gamepad, with the add-on being priced at about $1 per month (on top of the Splashtop 2 monthly fee, of course.) The feature's available now for anyone looking to try it out -- and if you'd like to see it in action before you make that in-app purchase, a video demo can be found just past the break.

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Source: Splashtop

Source: http://www.engadget.com/2013/01/31/splashtop-configurable-shortcuts-and-gamepad/

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In Senate farewell, Kerry speaks of need to listen

WASHINGTON (AP) ? His voice quavering, Secretary of State-designate John Kerry bid farewell to the Senate after 28 years with a plea for comity and cooperation.

"The political process works only when leaders are willing to listen," Kerry told his colleagues in his valedictory speech on Wednesday.

More than a dozen Democrats and just a few Republicans listened as Kerry stood at his desk and spoke for close to an hour. The Massachusetts Democrat became emotional when he tapped on his desk and remarked that it had been used by both John F. Kennedy and Edward M. Kennedy, one who became president, the other a Senate legend.

It was a sober reminder that senators are merely "temporary workers," Kerry said.

The Senate on Tuesday confirmed Kerry for the nation's top diplomatic job, succeeding Secretary of State Hillary Rodham Clinton. Supreme Court Justice Elena Kagan will swear in Kerry on Friday afternoon in a private ceremony, and his first day at the State Department is Monday.

Kerry thanked his staff, Senate employees, even the 1,393 interns who worked in his office. Congressional aides sat along the wall at the back of the chamber and the senator's wife, Teresa Heinz Kerry, watched from the gallery above.

Kerry said he was "closing a chapter, not the final one."

Expressing his appreciation for the Senate, he dismissed suggestions that the institution is broken in a politically divided Washington and urged senators to sit down, listen and work together.

Kerry said lawmakers face three major challenges ? the decline of civility, the corrupting force of campaign money and the disregard for facts.

He recalled moments of bipartisanship during his tenure, from working with Republican Sen. John McCain on normalizing relations with Vietnam and the fate of POWs to joining forces with former Sen. Bill Frist, R-Tenn., on combatting AIDS.

"The Senate cannot break unless we let it," Kerry said.

The unsuccessful 2004 presidential candidate remembered his travels throughout the country during the campaign when he came "within a whisper" of winning the presidency against a wartime commander in chief, President George W. Bush.

Kerry praised Republicans and Democrats, highlighting President George H.W. Bush's willingness to raise taxes in a budget deal and his recognition that it might make him a one-term president.

"He did what he thought was right. That's courage," Kerry said.

Kerry said it was only fitting that he came to Washington some 42 years ago as an activist protesting the Vietnam War. He had served in the Navy and was wounded during the war. He testified before the Senate Foreign Relations Committee and famously asked, "How do you ask a man to be the last man to die for a mistake?"

Last week, he testified before the same committee ? as its outgoing chairman seeking approval for his nomination to be secretary of state.

Kerry said he came to Washington as a voice, not a vote.

Hours before he spoke, Massachusetts Gov. Deval Patrick selected a former top aide, William "Mo" Cowan, to serve as interim senator until a special election to fill the seat.

At the conclusion of Kerry's remarks, senators, staff and those watching in the gallery all rose and applauded. Sen. Patrick Leahy, D-Vt., hugged Kerry; other senators shook his hand and wished him the best.

Source: http://news.yahoo.com/senate-farewell-kerry-speaks-listen-205051702--politics.html

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Misreading Tehran: The Twitter Devolution


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Hypergene MediaBlog ? Misreading Tehran: The Twitter Devolution
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Sunday, 29 Aug 2010

Foreign Policy has a fascinating article on the role of Twitter in the Iranian protests.

A number of opposition activists have told me they used text messages, email, and blog posts to publicize protest actions. However, good old-fashioned word of mouth was by far the most influential medium used to shape the postelection opposition activity. There is still a lively discussion happening on Facebook about how the activists spread information, but Twitter was definitely not a major communications tool for activists on the ground in Iran.

Posted on Aug 29, 2010 | 6:23 pm EST

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Source: http://www.hypergene.net/blog/weblog.php?id=P383

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